Before you speak of information pirates

by Andy Oram

People who casually use the term "piracy" to refer to the unauthorized exchange of copyrighted music, movies, books, and software would gain a deeper understanding of the terms they use by picking up the highly readable book Villains of All Nations: Atlantic Pirates in the Golden Age by Marcus Rediker. This recently released study (Beacon Press, ISBN 0-8070-5024-5) describes the lives and political significance of pirates at the period of their greatest growth during the early eighteenth century.



Pirates, in Rediker's analysis, were more than just thieves. They created an alternative way to regard work, society, and life's pleasures in an economically and religiously repressive age.



By the eighteenth century, pirates--their ranks fortified by political dissidents and utopian communalists--had created an on-board ethos of democracy, sharing, and mutual insurance. (They created the earliest social security system.) This is in contrast to the military and trading ships of the day, ruled by absolutist captains who cheated their staff, kept food and water rations criminally low, and freely employed the whip.



The pirates treated people of all races equally, in contrast to the racist practices of their opponents that reached its extreme in slave trading. The pirates admitted women to their ranks and apparently were sexually loose.



The pirates spoke consciously and articulately about the oppression of sailors and others by the sinfully rich capitalists and traders of their time, and refused to be placated by the religious platitudes of such status-quo philosophers as Cotton Mather. (In fact, Cotton Mather admitted to some extent that the pirates were right.)



Rediker does not prettify pirates. He says forthright they were not just bandits and murderers but also terrorists--in the sense that they used violence to create fear and bend others to their will. Still, they possessed a sense of justice and chivalry that is usually missing from modern military engagements.



Pirates were dissolute, destructive, and often drunk. But this represented an excess of their basic vision of freedom: freedom from masters, freedom from the fear of sin, freedom from hunger.



Is it difficult to find a common thread between the villification of eighteenth-century pirates and the villification of people who trade or illegally sell music, moves, books, and software today? Like the old pirates, the information traders create a bounty from the work of others (the artists and writers). But at the same time, they create a new vision of information democracy that contrasts positively with the control freaks and commercial cynicism of the mainstream media conglomerates.



Information traders promote diversity, by allowing people to sample dated and unusual works. In an age where radio stations and movie studios bend their offerings to the profit-based goals of an increasingly small number of owners, this is crucial. Information traders also allow communities to form around works--something studios would like to do but are usually too controlling and hidebound to carry off.



Do information traders hurt the industry, as studios and software manufacturers like to claim? Well, revenues for music and movies are going down. But figuring out what lies behind that statistic is a tough undertaking.



It could be--as many claim--that people aren't buying much because studios are just suppressing innovation and desperately putting out warmed-over imitations of the same lousy junk year after year.



It could also be--as others claim--that in a bad economy, people aren't so willing to pay the inflated prices charged for the CDs and movies.



Or it could be--as the studios claim--that people use shared or illegally sold copies instead of paying their fair royalties. This claim has to be weighed against a massive amount of anecdotal evidence--such as everybody I've heard talk about their downloading--that says people buy more CDs when they get a chance to sample music online for free. Information traders therefore drive forward the entertainment industry. Low-cost authorized music services may eventually take advantage of this trend. But it's hard to imagine any authorized service offering the wealth of obscure and challenging works one can get from unauthorized networks.



In emerging economies, anyway, the main source of infringement is not peer-to-peer downloading, but conventional copying and distribution. This phenomenon should have been considered by music and movie executives when digital media first emerged; anyone worth his six-figure salary would have prepared a business case to deal with it.



Villians of All Nations, in showing the environment that created, and was in turn created by, the illegal behavior of one generation, provides much food for thought in our own age, whose direction is increasingly dominated by a wide range of illegal behavior: undocumented immigrants, squatting, drug dealing, arms smuggling, money laundering, terrorism, and--yes--actual sea-based piracy. But in particular, Villians of All Nations can deepen the debate around unauthorized information trading.



Is there an upside to piracy?


5 Comments

jwenting
2004-08-15 23:17:58
piracy != chivalry
So you admire the organised criminal gangs that are pirates?
The sea pirates of old (and current, they still exist) were no different from today's mafia and the cosa nostra of the last century.


Violent criminal gangs who upheld an outward patina of class and style to blind others (and in part themselves) to their true nature.


Software and music pirates are no different (except the physical violence seems to be missing mostly, but given that it's suspected the larger ones help fund drug trade and international terrorism that too is just a veneer).


Maybe the penalty should also be identical: hanging or keelhauling.

rjelliffe
2004-08-16 02:24:56
Some pirates just trying to make an honest buck
Coincidentally, I have been studying East Asian pirates from the 1500s and 1600s: many times the so-called piracy was the understandable reaction of people to oppression (by remote governments imposing trade or travel embargoes, by incoming Westerners wanting to carve up the world and take over trade routes) especially by the imposition of artificial monopolies. If you were powerful, you first assert all rights to yourself, then you attack people who don't accede to your rights as pirates.


And one notable class of pirates, the privateers,
were actually government sanctioned: see
http://www.piratesinfo.com/fact/types/privateer.htm


Of course, there were nasty pirates, but everyone was pretty beastly.


Now that US IPR regimes have become a laughing stock, in particular for software patents, it seems hard that the increase in free trade agreements will not, sooner or later, force the US to acknowledge that a good proportion of their patents are junk. Of course, no officer of a company holding substantial IPR is going to say the emp is nude. But the flip side to the coin of removing piracy is to remove the excessive US IPR regime that justifies innocuous piracy, in the minds of some.

rjelliffe
2004-08-16 03:10:51
piracy != chivalry
Err, you want to kill people who copy music? Perhaps if is copying Britney, you may have a point...


There is little comparison between Cheng Ch'eng-kung or Sir Francis Drake and the mafia (except perhaps for the Bay of Pigs, to the extent that gangsters may have been used for government policy). & I never equated piracy with chivalry. When, say, the British or the Dutch forbad the indigenous populations from plying traditional trade routes in East Asia, it was just an act of greed and bullying; by imposing monolopolies they criminimalized a section of the population.


In 1999 I spoke at an XML Conference in San Jose on internationalization issues, stressing that we need to ensure that the software infrastructure provides a level playing field, otherwise the US would be providing fodder for anti-Western hotheats, especially in the Islamic world. (It was clear to anyone with any contacts outside the West at that stage that there was trouble brewing that the US was blythely ignoring, and still is.) I would put squatting on software ideas in the same kind of position; monopolies granted mostly by the West on themselves ultimately serve to reduce the prospects of those outside the big end of town, who naturally will sooner or later rebel.


The only hope I see is when China and East Asia form their economic community (they have recently been sounding Australia out) and get enough clout to reject the excesses of US IPR. I fully expect that will happen, though it may take 20 years: if the US Patent office is processing hundreds of thousands of patent applications, who on earth can take it seriously, outside the squatocracy?

kavka
2004-08-16 10:17:07
piracy != chivalry
I think you're trying, as many do, to blur the lines between illegal copiers of music and the more correct analogy of music/software/movie pirates. 'Pirates' in this sense are those who steal for profit. These are the people who mass produce bootlegs in an orderly fashion. This is not the same as the Britney Spears downloader, who, while engaging in illegal activity, is not doing so for any profit, just to avoid paying for the product. It's like comparing shoplifting and bank robbery. Both are illegal, and to some immoral, but many will justify shoplifting and not have any moral qualms about it, even touting it as a positive behavior.
adpsk
2004-08-16 11:53:27
Here There Be Monsters!
Operating Manal For Spaceship Earth...


http://www.bfi.org/operating_manual.htm